--, .-.-. II. COMEDY AND COMMERCE: THE CRITIQUE OF BOULEVARD COMEDY FORMS IN <i>ZUR SCHÖNEN AUSSICHT</i> AND <i>RUND UM DEN KONGRESS</i> <p>1. Boulevard Comedy and the ’Konversationskomödie’</p> <p>2. Reversal of Comedy Devices in <i>Zur schönen Aussicht</i> <p>2.1 Play Within a Play</p> <p>2.1.1 Christine’s Dream</p> <p>2.2 Role-Playing</p> <p>2.3 Servant/Master Relationship</p> <p>2.4 Parody of Tragedy</p> <p> 3. Social Criticism in <i>Zur schönen Aussicht</i></p> <p>4. <i>Rund Um Den Kongreß</i> and Its Antecedants <p>4.1 Definition of the Posse</p> <p>4.2 Musil’s <i>Vinzenz Und Die Freundin Bedeutender Männer</i> </p> <p>4.3 Dadaism, Goll, Grosz, Brecht and Bronnen</p> <p>5. <i>Rund Um Den Kongreß</i> As Grotesque Satire<p><p>5.1 Commerce, Communism and Comedy: the Objects of Satire</P>. OGS 2017, 3.