II. COMEDY AND COMMERCE: THE CRITIQUE OF BOULEVARD COMEDY FORMS IN ZUR SCHÖNEN AUSSICHT AND RUND UM DEN KONGRESS

1. Boulevard Comedy and the 'Konversationskomödie'

2. Reversal of Comedy Devices in Zur schönen Aussicht

2.1 Play within a Play

2.1.1 Christine's Dream

2.2 Role-Playing

2.3 Servant/Master Relationship

2.4 Parody of Tragedy

3. Social Criticism in Zur schönen Aussicht

4. Rund um den Kongreß and its Antecedants

4.1 Definition of the Posse

4.2 Musil's Vinzenz und die Freundin bedeutender Männer

4.3 Dadaism, Goll, Grosz, Brecht and Bronnen

5. Rund um den Kongreß as Grotesque Satire

5.1 Commerce, Communism and Comedy: the Objects of Satire

Authors

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DOI:

https://doi.org/10.11157/ogs-vol3id218

Abstract

Horváth comedy

Downloads

Published

2017-05-11

Issue

Vol. 3: Christopher B. Balme, The Reformation of Comedy. Genre Critique in the Comedies of Ödön von Horváth

Section

Part One: Surrealism in the Present and the Imperfect

How to Cite

II. COMEDY AND COMMERCE: THE CRITIQUE OF BOULEVARD COMEDY FORMS IN ZUR SCHÖNEN AUSSICHT AND RUND UM DEN KONGRESS 1. Boulevard Comedy and the ’Konversationskomödie’ 2. Reversal of Comedy Devices in Zur schönen Aussicht 2.1 Play within a Play 2.1.1 Christine’s Dream 2.2 Role-Playing 2.3 Servant/Master Relationship 2.4 Parody of Tragedy 3. Social Criticism in Zur schönen Aussicht 4. Rund um den Kongreß and its Antecedants 4.1 Definition of the Posse 4.2 Musil’s Vinzenz und die Freundin bedeutender Männer 4.3 Dadaism, Goll, Grosz, Brecht and Bronnen 5. Rund um den Kongreß as Grotesque Satire5.1 Commerce, Communism and Comedy: the Objects of Satire. (2017). Otago German Studies, 3. https://doi.org/10.11157/ogs-vol3id218