II. COMEDY AND COMMERCE: THE CRITIQUE OF BOULEVARD COMEDY FORMS IN <i>ZUR SCHÖNEN AUSSICHT</i> AND <i>RUND UM DEN KONGRESS</i> <p>1. Boulevard Comedy and the 'Konversationskomödie'</p> <p>2. Reversal of Comedy Devices in <i>Zur schönen Aussicht</i> <p>2.1 Play within a Play</p> <p>2.1.1 Christine's Dream</p> <p>2.2 Role-Playing</p> <p>2.3 Servant/Master Relationship</p> <p>2.4 Parody of Tragedy</p> <p> 3. Social Criticism in <i>Zur schönen Aussicht</i></p> <p>4. <i>Rund um den Kongreß</i> and its Antecedants <p>4.1 Definition of the Posse</p> <p>4.2 Musil's <i>Vinzenz und die Freundin bedeutender Männer</i> </p> <p>4.3 Dadaism, Goll, Grosz, Brecht and Bronnen</p> <p>5. <i>Rund um den Kongreß</i> as Grotesque Satire<p><p>5.1 Commerce, Communism and Comedy: the Objects of Satire</p>
DOI:
https://doi.org/10.11157/ogs-vol3id218Abstract
Horváth comedy
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2017-05-11
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--, .-.-. (2017). II. COMEDY AND COMMERCE: THE CRITIQUE OF BOULEVARD COMEDY FORMS IN <i>ZUR SCHÖNEN AUSSICHT</i> AND <i>RUND UM DEN KONGRESS</i> <p>1. Boulevard Comedy and the ’Konversationskomödie’</p> <p>2. Reversal of Comedy Devices in <i>Zur schönen Aussicht</i> <p>2.1 Play within a Play</p> <p>2.1.1 Christine’s Dream</p> <p>2.2 Role-Playing</p> <p>2.3 Servant/Master Relationship</p> <p>2.4 Parody of Tragedy</p> <p> 3. Social Criticism in <i>Zur schönen Aussicht</i></p> <p>4. <i>Rund um den Kongreß</i> and its Antecedants <p>4.1 Definition of the Posse</p> <p>4.2 Musil’s <i>Vinzenz und die Freundin bedeutender Männer</i> </p> <p>4.3 Dadaism, Goll, Grosz, Brecht and Bronnen</p> <p>5. <i>Rund um den Kongreß</i> as Grotesque Satire<p><p>5.1 Commerce, Communism and Comedy: the Objects of Satire</p>. Otago German Studies, 3. https://doi.org/10.11157/ogs-vol3id218
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Literary Critical Essays
