III. THE VOLKSSTÜCKE <p>1. Survey of Secondary Literature</p> <p>1.1 Towards a Definition of the Volksstück</p> <p>2. <i>Die Bergbahn</i> and the Critique of Heimatdichtung</p> <p>2.1 Heimatdichtung and the Volksstück Tradition: Anzengruber, Schönherr, Zuckmayer</p> <p>2.2 The Politisation of the Volksstück</p> <p>3. "Volksfeste" and Eros</p> <p>4. The 'Stadt-Land' Contrast</p> <p>5. "Die kleinen Verbrechen" and Criticism of the Judiciary</p> <p>6. The Happy-endings of the Volksstücke as Disappointed Utopias</p>

Authors

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DOI:

https://doi.org/10.11157/ogs-vol3id219

Abstract

Horváth Volksstücke

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Published

2017-05-11

How to Cite

--, .-.-. (2017). III. THE VOLKSSTÜCKE <p>1. Survey of Secondary Literature</p> <p>1.1 Towards a Definition of the Volksstück</p> <p>2. <i>Die Bergbahn</i> and the Critique of Heimatdichtung</p> <p>2.1 Heimatdichtung and the Volksstück Tradition: Anzengruber, Schönherr, Zuckmayer</p> <p>2.2 The Politisation of the Volksstück</p> <p>3. "Volksfeste" and Eros</p> <p>4. The ’Stadt-Land’ Contrast</p> <p>5. "Die kleinen Verbrechen" and Criticism of the Judiciary</p> <p>6. The Happy-endings of the Volksstücke as Disappointed Utopias</p>. Otago German Studies, 3. https://doi.org/10.11157/ogs-vol3id219

Issue

Vol. 3: Christopher B. Balme, The Reformation of Comedy. Genre Critique in the Comedies of Ödön von Horváth

Section

Literary Critical Essays