ORIGINS OF THE GRAZ PHENOMENON 1.0 INTRODUCTION: LITERARY-HISTORICAL ISSUES IN GRAZ 1.1 WEST GERMAN INFLUENCES ON THE PUBLICATION AND RECEPTION OF AUSTRIAN LITERATURE SINCE 1960 1.1.1 The Absence of a 'Kulturindustrie' in the Austrian Second Republic 1.1.2 The Climate of Critical Reception in the Federal Republic in the 1960s 1.1.3 Literary Group Formation in Western Germany 1.1.4 The Formalist/Realist Debate and 'experimentelle Literatur' 1.1.5 The Growth of Positivism in Literary Criticism 1.1.6 The Austrian Response 1.2 FROM VIENNA TO GRAZ: CULTURAL POLITICS IN THE SECOND REPUBIC 1.2.1 A Dangerous Cultural Vacuum 1.2.2 The Cultural Background in Graz 1.3 THE 'SOGENANNTE GRAZER GRUPPE': THE EMERGENCE OF A LITERARY-HISTORICAL PROFILE 1.3.1 'Forum Stadtpark' and manuskripte: the Organisational Basis of the 'Grazer Gruppe' 1.3.2 Early Group Activities at 'Forum Stadtpark': the 'Studio der Jungen' 1.3.3 The Initial Reception of 'Grazer Literatur' in West Germany 1.3.4 Inadequate Critical Definition of the 'Grazer Gruppe' 1.3.5 Clarification of the Group Concept: An 'Informal Group' 1.3.6 The Elements of an Adequate Group Definition 1.3.7 The Critical Breakthrough of the Graz Group 1.4 IS THERE A LITERATURE OF GRAZ?: THE AESTHETIC BASIS OF 'GRAZER LITERATUR' 1.4.1 Critical Approaches to 'Grazer Literatur' 1.4.1.1 Negative Characteristics: A Literature of Opposition 1.4.1.2 Experiment and Tradition: Positivist Critical Models 1.4.1.3 An Austrian Perspective on 'Grazer Literatur' 1.4.2 Linguistic Self-Consciousness: 'Grazer Literatur' and the Austrian Tradition of 'Sprachkritik' 1.4.2.1 The 'Grazer Gruppe' and Austrian Avant-Garde Ideas on Language 1.4.2.2 The Inheritance of the 'Wiener Gruppe': 'Sprachspiele' in Graz

-- --

doi:10.11157/ogs-vol18id234

ORIGINS OF THE GRAZ PHENOMENON 1.0 INTRODUCTION: LITERARY-HISTORICAL ISSUES IN GRAZ 1.1 WEST GERMAN INFLUENCES ON THE PUBLICATION AND RECEPTION OF AUSTRIAN LITERATURE SINCE 1960 1.1.1 The Absence of a 'Kulturindustrie' in the Austrian Second Republic 1.1.2 The Climate of Critical Reception in the Federal Republic in the 1960s 1.1.3 Literary Group Formation in Western Germany 1.1.4 The Formalist/Realist Debate and 'experimentelle Literatur' 1.1.5 The Growth of Positivism in Literary Criticism 1.1.6 The Austrian Response 1.2 FROM VIENNA TO GRAZ: CULTURAL POLITICS IN THE SECOND REPUBIC 1.2.1 A Dangerous Cultural Vacuum 1.2.2 The Cultural Background in Graz 1.3 THE 'SOGENANNTE GRAZER GRUPPE': THE EMERGENCE OF A LITERARY-HISTORICAL PROFILE 1.3.1 'Forum Stadtpark' and manuskripte: the Organisational Basis of the 'Grazer Gruppe' 1.3.2 Early Group Activities at 'Forum Stadtpark': the 'Studio der Jungen' 1.3.3 The Initial Reception of 'Grazer Literatur' in West Germany 1.3.4 Inadequate Critical Definition of the 'Grazer Gruppe' 1.3.5 Clarification of the Group Concept: An 'Informal Group' 1.3.6 The Elements of an Adequate Group Definition 1.3.7 The Critical Breakthrough of the Graz Group 1.4 IS THERE A LITERATURE OF GRAZ?: THE AESTHETIC BASIS OF 'GRAZER LITERATUR' 1.4.1 Critical Approaches to 'Grazer Literatur' 1.4.1.1 Negative Characteristics: A Literature of Opposition 1.4.1.2 Experiment and Tradition: Positivist Critical Models 1.4.1.3 An Austrian Perspective on 'Grazer Literatur' 1.4.2 Linguistic Self-Consciousness: 'Grazer Literatur' and the Austrian Tradition of 'Sprachkritik' 1.4.2.1 The 'Grazer Gruppe' and Austrian Avant-Garde Ideas on Language 1.4.2.2 The Inheritance of the 'Wiener Gruppe': 'Sprachspiele' in Graz

Authors

-- --

DOI:

https://doi.org/10.11157/ogs-vol18id234

Abstract

G. Roth, Graz

Downloads

Published

2017-03-31

How to Cite

--, .-.-. (2017). ORIGINS OF THE GRAZ PHENOMENON 1.0 INTRODUCTION: LITERARY-HISTORICAL ISSUES IN GRAZ 1.1 WEST GERMAN INFLUENCES ON THE PUBLICATION AND RECEPTION OF AUSTRIAN LITERATURE SINCE 1960 1.1.1 The Absence of a ’Kulturindustrie’ in the Austrian Second Republic 1.1.2 The Climate of Critical Reception in the Federal Republic in the 1960s 1.1.3 Literary Group Formation in Western Germany 1.1.4 The Formalist/Realist Debate and ’experimentelle Literatur’ 1.1.5 The Growth of Positivism in Literary Criticism 1.1.6 The Austrian Response 1.2 FROM VIENNA TO GRAZ: CULTURAL POLITICS IN THE SECOND REPUBIC 1.2.1 A Dangerous Cultural Vacuum 1.2.2 The Cultural Background in Graz 1.3 THE ’SOGENANNTE GRAZER GRUPPE’: THE EMERGENCE OF A LITERARY-HISTORICAL PROFILE 1.3.1 ’Forum Stadtpark’ and manuskripte: the Organisational Basis of the ’Grazer Gruppe’ 1.3.2 Early Group Activities at ’Forum Stadtpark’: the ’Studio der Jungen’ 1.3.3 The Initial Reception of ’Grazer Literatur’ in West Germany 1.3.4 Inadequate Critical Definition of the ’Grazer Gruppe’ 1.3.5 Clarification of the Group Concept: An ’Informal Group’ 1.3.6 The Elements of an Adequate Group Definition 1.3.7 The Critical Breakthrough of the Graz Group 1.4 IS THERE A LITERATURE OF GRAZ?: THE AESTHETIC BASIS OF ’GRAZER LITERATUR’ 1.4.1 Critical Approaches to ’Grazer Literatur’ 1.4.1.1 Negative Characteristics: A Literature of Opposition 1.4.1.2 Experiment and Tradition: Positivist Critical Models 1.4.1.3 An Austrian Perspective on ’Grazer Literatur’ 1.4.2 Linguistic Self-Consciousness: ’Grazer Literatur’ and the Austrian Tradition of ’Sprachkritik’ 1.4.2.1 The ’Grazer Gruppe’ and Austrian Avant-Garde Ideas on Language 1.4.2.2 The Inheritance of the ’Wiener Gruppe’: ’Sprachspiele’ in Graz. Otago German Studies, 18. https://doi.org/10.11157/ogs-vol18id234

Download Citation

Issue

Vol. 18: Simon Collis Ryan, Gerhard Roth and the Graz Literary Revival: The Emergence of an Austrian Author

Section

Literary Critical Essays