ORIGINS OF THE GRAZ PHENOMENON 1.0 INTRODUCTION: LITERARY-HISTORICAL ISSUES IN GRAZ
1.1 WEST GERMAN INFLUENCES ON THE PUBLICATION AND RECEPTION OF AUSTRIAN LITERATURE SINCE 1960
1.1.1 The Absence of a 'Kulturindustrie' in the Austrian Second Republic
1.1.2 The Climate of Critical Reception in the Federal Republic in the 1960s
1.1.3 Literary Group Formation in Western Germany
1.1.4 The Formalist/Realist Debate and 'experimentelle Literatur'
1.1.5 The Growth of Positivism in Literary Criticism
1.1.6 The Austrian Response
1.2 FROM VIENNA TO GRAZ: CULTURAL POLITICS IN THE SECOND REPUBIC
1.2.1 A Dangerous Cultural Vacuum
1.2.2 The Cultural Background in Graz
1.3 THE 'SOGENANNTE GRAZER GRUPPE': THE EMERGENCE OF A LITERARY-HISTORICAL PROFILE
1.3.1 'Forum Stadtpark' and manuskripte: the Organisational Basis of the 'Grazer Gruppe'
1.3.2 Early Group Activities at 'Forum Stadtpark': the 'Studio der Jungen'
1.3.3 The Initial Reception of 'Grazer Literatur' in West Germany
1.3.4 Inadequate Critical Definition of the 'Grazer Gruppe'
1.3.5 Clarification of the Group Concept: An 'Informal Group'
1.3.6 The Elements of an Adequate Group Definition
1.3.7 The Critical Breakthrough of the Graz Group
1.4 IS THERE A LITERATURE OF GRAZ?: THE AESTHETIC BASIS OF 'GRAZER LITERATUR'
1.4.1 Critical Approaches to 'Grazer Literatur'
1.4.1.1 Negative Characteristics: A Literature of Opposition
1.4.1.2 Experiment and Tradition: Positivist Critical Models
1.4.1.3 An Austrian Perspective on 'Grazer Literatur'
1.4.2 Linguistic Self-Consciousness: 'Grazer Literatur' and the Austrian Tradition of 'Sprachkritik'
1.4.2.1 The 'Grazer Gruppe' and Austrian Avant-Garde Ideas on Language
1.4.2.2 The Inheritance of the 'Wiener Gruppe': 'Sprachspiele' in Graz